I love stories, words, and imagination. The most powerful piece of theatrical construction is the imagination. Telling stories to a room full of people is a magical event. It is an actors great responsibility to cultivate this imagination and make it blossom into an unforgettable story.
I received my BFA from the University of Utah’s Actor Training Program and my MFA in Shakespeare & Performance from Mary Baldwin University. In the professional realm, I've worked for over twenty years as an actor and music director for such companies as Salt Lake Shakespeare, Black Dog Theatre Company (founding member), Egyptian Theatre Company, the American Shakespeare Center (over 120 productions), and several others. During my time at the ASC, I served as Resident Music Director and Actor Manager for several years.
Acting credits include Macbeth in Macbeth, Enobarbus in Antony and Cleopatra, Feste in Twelfth Night, Flamenio in The White Devil, and Rosencrantz in Rosencrantz & Guildenstern Are Dead. Music directing credits include Bloody Bloody Andrew Jackson, Return to the Forbidden Planet, Peter and the Starcatcher and the world premiere of The Willard Suitcases.
I received my BFA from the University of Utah’s Actor Training Program and my MFA in Shakespeare & Performance from Mary Baldwin University. In the professional realm, I've worked for over twenty years as an actor and music director for such companies as Salt Lake Shakespeare, Black Dog Theatre Company (founding member), Egyptian Theatre Company, the American Shakespeare Center (over 120 productions), and several others. During my time at the ASC, I served as Resident Music Director and Actor Manager for several years.
Acting credits include Macbeth in Macbeth, Enobarbus in Antony and Cleopatra, Feste in Twelfth Night, Flamenio in The White Devil, and Rosencrantz in Rosencrantz & Guildenstern Are Dead. Music directing credits include Bloody Bloody Andrew Jackson, Return to the Forbidden Planet, Peter and the Starcatcher and the world premiere of The Willard Suitcases.
